paper -202 assignment "PROBLEM OF COMMUNAL DIVIDE AND COMMUNAL TENSION IN MAHESH DATTANI’S FINAL SOLUTIONS"

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Name :- Aditi Vala

Ma sem :- 03

Batch :- 2020-2022

Paper no.:- 202 [ Indian English Literature – Post -Independence ]

Topic :- PROBLEM OF COMMUNAL DIVIDE AND COMMUNAL TENSION IN MAHESH DATTANI’S FINAL SOLUTIONS

Roll no. :- 01

Enrollment no. :- 3069206420200018

Email id :- valaaditi203@gmail.com

Submitted to :-

Smt.S.B.Gardi Department of English, MKBU

Introduction :

Mahesh Dattani’s Final Solutions focuses on the problem of communal disharmony between the Hindus and Muslims in India, especially during the period of the post- partition riots. The psychosis that prevails among the Hindus as well as Muslims in India, after the event of the partition of the country, cause a chain of neurotic reactions to even the most inconsequential of happenings. The play moves from the partition to the present day communal riots; probes into the religious bigotry by examining the attitudes of three generations of a middle-class Gujrati business family, Hardika the grandmother, Ramnik her son and Sumita her granddaughter. Revolving around three generations, the events in the play unfold at a swift pace, weaving the post-independence partition riots, with the communal riots of today in a common strand. 

Memory plays an important role in the play as reminiscences of the characters develop the plot. In the play, the mob is a symbol of the communal hatred. It deals with the burning issues of Hindu-Muslim hatred; the mind set of suspicion towards each other and tries to suggest that attributes of prejudice and misperception have much to do in escalating such problems. It is obvious that communal unrest arises from highlighting the differences between these two religious groups. Once they are made to acknowledge their identity as human beings first and then Hindus or Muslims, there will be no problems. Therefore one of the solutions is that religion is only something superficial as mask and can be donned or taken off at will.

PROBLEM OF COMMUNAL DIVIDE AND COMMUNAL TENSION IN MAHESH DATTANI’S FINAL SOLUTIONS :

      Mahesh Dattani is a leading dramatist in Indian Drama in English. He is the first Indian playwright in English who has been awarded the ‘Sahitya Academi’ award for his contribution to world drama. He has a keen interest not only in theatre but also in dancing. He started his career as an actor in dramas and played many lead roles in various Indian English plays and British plays. He founded ‘Playpen’, a theatre company in 1984 to perform the plays particularly the Indian plays. After this, he devoted himself to directing plays. He first directed the play, God in 1986. He directed almost all of his plays. Later on, he moved towards writing plays and the result is Where There’s a Will. In this play, he also worked as an actor. Thus he started his career as an actor, he moved to direct and then to write plays. His important plays are God, Where There’s a Will, Dance Like A Man, Tara, Bravely Fought The Queen, Final Solutions, On A Muggy Night In Mumbai, etc. In his plays, Dattani deals with the fringe issues and marginalized people within the society and his themes extend from child abuse, homosexuality and hijra communities to the other taboo subjects and social riots. His themes and the characters are chosen from the Indian society but he raises them to the universal level.

Three-act play :

Dattani’s Final Solutions is a three-act play which handles the theme of communal riots and forced resentments. It was first performed at Guru Nanak Bhavan, Bangalore on 10 July 1993. In India, the co-existence of multi-religions and multi-cultures has been a curious topic for the world. But the confrontations of Hindus and Muslims has been a dynamic issue more than the other religions to each other. Hindus and Muslims depict their own statement to prove their superiority and Dattani depicts this in Final Solutions. The play opens with two Muslim young boys Bobby and Javed seeking shelter in the house of the Hindu family of Ramnik Gandhi, from the chasing mob, during a hostile atmosphere and curfew followed by Hindu- Muslim riot in the city. With the entry of two Muslim young boys within the house, the familial drama begins. Here, the different religions, cultures, food habits, attitudes, resentments to each other, personal whims and psyches confront each other. Dattani takes the opportunity to move free into the time and closely scrutinize all such riots in the past and their influences to shape the characters and communities. He tear opens the tapestries of illusions of the characters and exposes the truth behind their social, cultural and religious patterns. The present study aims at the study of the problem of communal divide and communal riot in the Indian society through the play Final Solutions.

Communal disharmony between the Hindus and Muslims :

Mahesh Dattani’s Final Solutions focuses on the problem of communal disharmony between the Hindus and Muslims in India, especially during the period of the post- partition riots. The play starts with Daksha reading lines from her diary. The setting suggests that the period is late 1940’s. Daksha is the mother of the central character of the play Ramnik Gandhi. She shuttles between her two identities, namely that of a girl of fifteen and that of a matured lady who has witnessed forty years of freedom. The chorus chanting at the back sometimes assumes Hindu masks and sometimes Muslim ones. The words rendered by the chorus are clear indicators of the communal disharmony and its painful consequences that are soon to be experienced by the characters in the play. The masks have leaving effects on minds of the characters who wear them.

Problems of cultural hegemony :

        Final Solutions talks of the problems of cultural hegemony, how Hindus has to suffer at the hands of Muslim majority like the characters of Hardika and Daksha in Hussain’s hand, and how Muslim like Javed suffers in the set up of the major Hindu community. This all resulted in communal riots and culminated in disruption of the normal social life, and thus hampered the progress of nation. The locale of the play is Ramnik’s house and the central characters are his daughter Smita, wife Aruna and mother Hardika, besides himself and the two Muslim boys Bobby and Javed who entered into his house during communal tension occasioned by the attack on the Rath Yatra procession. In the beginning, Daksha recollects from her diary about the past when she was married at the age of fourteen. And now after forty years Daksha has become Hardika but her prejudice against the other community continues to be with her. Javed, as Bobby tells Ramnik, became a fanatic because he was ill-treated by persons of another faith and hired by the hooligans to spread communal violence. This creates the problem of communal divide in our country.

In Final Solutions, communal riot breaks due to disturbance of procession. In most of the cases the matter of dispute is very simple. But due to involvement of some unsocial elements, it takes the shape of communalism and later on it is distorted and ultimate result is communal violence. During communal riots, mankind undergoes tremendous spiritual losses, during and after riot. Respect for life, dignity of humanity, love for truth and justice, fellow feeling and brotherhood are mercilessly butchered in riot. The propaganda, based on falsehood, has its hayday during riot. People lose not only their bodies but also their souls. It is a great catastrophe to humanity. As Bobby says:

A minor incident changed all that… We were playing cricket on our street… The postman… was in a hurry and asked Javed to hand the letter over to the owner. Javed took the letter… and opened the gate… a voice boomed, ‘What do you want?’ Javed holding out the letter… his usual firmness vanishing in a second. ‘Leave it on the wall’, the voice ordered. Javed backed away, really frightened… the man came out with a cloth… wiped the letter before picking it up, he then wiped the spot on the wall the letter was lying on and he wiped the gate! We all heard a prayer bell, ringing continuously. 

Daksha and Hardika become one in their resentment of the other:

Daksha : (banging on the door) I promise! I won’t do it again!

Hardika : Confined. Never let out of the house. Like a dog that had gone mad!

Daksha : (hysterically) Let me out!

Hardika : I hate the way you look! I hate the way you dress! I hate the way you eat!(P.223)

Final Solutions is a problem play, for it deals with the communal tension of our society. The violence perpetuated by the communal people in our society affects family life and that is dramatized in the characters of Smita, Ramnik Gandhi, Aruna, Bobby and Javed. The same character Daksha with two names (Daksha and Hardika) shows how the attitude of the same person to communal tension has changed over the years. Two Muslim boys, Bobby and Javed take shelter in Ramnik’s house during communal violence in the town. The dialogue between these two boys with the members of Ramnik’s family reveals the deep-rooted distrust between two communities. Aruna, Ramnik’s wife argues with her husband and daughter, Smita against giving them shelter in their house when Aruna forbids Bobby and Javed to touch the water with which she bathes the Gods. It shows the attitude of Aruna to her religion. The relationship among the members of Ramnik’s family is affected by the communal feelings prevalent in our society. But Dattani works out a solution by making people understand the evil inherent in such kind of communal hatred between two major communities in our country.

Final Solutions has a powerful contemporary resonance as the central issue of communalism is of the utmost concerns of our society. Presenting different shades of communalist attitudes prevalent among Hindus and Muslims, the play attempts to underline the stereotypes influencing the collective sensibility of one community against another. Moving from partition to the present day communal riots, Final Solutions examines the attitudes of three generations of a Gujrati business family. The events in the play unfold at a swift pace, weaving the post-independence partition riots, with the communal riots of today in a common strand.

Conclusion :

In the context of the play, the fears and anxieties of the two communities are largely an aftermath of the partition, but in conservative Hindu homes there has always been a tacit dislike for and disapproval of everything associated with Muslims to the extent that everything touched by the latter is considered to be contaminated. Muslims too, are conscious of the antipodal position they assume in a Hindu community and are equally averse to the Hindu. This mutual aversion of the two communities for each other in India is not overplayed but is depicted with a rare fidelity which spells absolute conviction. Dattani’s great contribution to Indian English drama can be depicted in the play, Final Solutions. It is a very significant play by Dattani especially in the present scenario of India and critics have suggested that this play should be translated into every Indian language and performed throughout the country.

Refrence :

Agarwal, Dipti. The Plays of Mahesh Dattani – A Study In Thematic Diversity And Dramatic Technique. New Delhi: Discovery Publishing House, 2013.

Dattani, Mahesh. Collected Plays. New Delhi: Penguin Books of India, 2000.

Joshipura, Pranav. A Critical Study Of Mahesh Dattani’s Plays. New Delhi: Sarup Book Publishers, 2009.

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